FEBRUARY 2009

 ABOUT   ARCHIVES   AWARDS   LINKS   SUBMIT   HOME



Defining Emptily
By Jared Ward, Dec 16, 2008

The jaws snap shut and the sound is the hiss and clack of animated teeth catching nothing. Perhaps in the following moments there is a ding when the light sparkles off at just the right angle. Perhaps they crack and fall apart in a clatter of dominoes dropped on linoleum.

Regardless, it’s a sound of missing. The sound of the bat when it doesn’t hit ball. Of the space where dirt used to be, before it was dug up and piled. The words we don’t share when you’re gone for long stretches of time.

Space and time. That’s exactly what it sounds like, the space where you haven’t been and the seconds that have passed since you had.

On another day, we’ll discuss the feel of exactly, whether it’s rough and textured like a snake shedding its skin, or smooth and sharp, like a blade slicing through flesh. But for today, let’s focus instead on the reverberation coming from the snake’s back when the dead skin’s gone, the resonance from the wound where the blade recently vacated, and save both exactly and the recently used recently for another space in time.

Because I know what it doesn’t sound like: bones crunching from the metal teeth of the trap, or the warm friction when your hand shifts slightly in mine. It isn’t the slosh of water in a bucket, and it most definitely isn’t the whisper of your legs against sheets or your hands mashing pillows.

Still, I’m left with a question. Is it the sound of my breath rattling my lungs when I suck in deeply?

Jared Ward has had work accepted at West Branch, Evansville Review, New Delta Review, The Dos Passos Review, Zone 3, and others. He began the University of Arkansas MFA Creative Writing program last fall.

Back